Prussian Military Uniforms - "Color" is a column in which the author responds to a specific color given by the editor of the Cabinet.
Will future generations remember us for our successes or our mistakes? Will our legacy be the result of a lifetime of dedicated work, or a fleeting accident? Years can be spent chasing after a chimera without realizing that our claim to fame in the heat of the chase is false in an instant. Such is the story of Johann Konrad Dippel, whose inevitable achievement—the creation of Prussian blue—was of little interest when placed next to his magical dreams.
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Dippel was born in 1673 in Castle Frankenstein. It is not known if there was lightning in his birth, but it is certainly not a very impressive move for a man who seems determined to blaze his way into history. His father planned for him to become a minister, but from an early age Dipple sought miracles and arguments instead of conformity and conformity. He publicly questioned catechism at the age of nine, before spending his youth fiercely defending, then viciously attacking, orthodox Lutherans. While studying at the theological college in Giessen, he began publishing satirical religious tracts under the name Christianus Democritus. They were written with such fervor that many found them absurd.
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His religious opposition brought him into disrepute. He was called "ein indifferentischer Schwarmer" ("an indifferent fanatic"), and was persecuted by the clergy and threatened by the people. Perhaps unsurprisingly, within two years of moving to Strasbourg, where he hoped to make a name for himself by studying theology, he killed a man in battle and fled back to Giessen.
The setback did not dampen Dippel's ambitions. His unusual interests extended to palmistry and astrology, and after reading the writings of the medieval Spanish mystic, Ramon Lull, Dippel became convinced of his ability to transmute lead into gold. He bought a small house on credit, where he can work comfortably, but after eight months of constant heat, his lamp holder broke. The pressure from his creditors forced him to hide.
Moving to Berlin, he set up a palace laboratory where he tried to achieve another alchemical dream: a universal medicine. Dippel believed that the secret lay in the distilled oils that destroyed the animal's parts. Their hides, hooves and horns were boiled in a foul-smelling fat called "huile de dipple" which they claimed cured fevers, colds and epilepsy. Dippel's oil was popular as a medicine—Diderot later openly questioned its value—but its effectiveness as a sheep dip and insect repellant was unchallenged.
The level of his ambition soon attracted the attention of King Frederick I. At that time, the Prussian court was besieged by chemists who promised the possibility of unlimited wealth in exchange for the king's protection. Dipple asked for arbitration on their claims. A smaller man might have taken the position for granted, but Dipple didn't care. He sought only gold, not riches, and such is the true judge. He exposed him to the hypocrites, but sought to know the secrets of those he thought were real. In particular, he discusses his encounter with the mysterious Lascaris, who is believed to have performed a double transformation, changing mercury into gold and gold into silver.
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It seems fitting that a man who believed so strongly in the efficacy of alchemy should see the fulfillment of his skill as a direct, albeit trivial, result of alchemical research. In 1704, the dyer Diesbach, who worked in Dippel's laboratory, was preparing a lake of cocoon — a deep red — by boiling worms and creating a mass prepared from the addition of alum, green vitriol, and potash. He found that he did not have potash, so he borrowed from a friend and added to the heavy insects. As he mixed and mixed he found to his surprise that what he had created was not a bright red, but a dark and sinister blue.
When Dipple was informed about this illegal conversion, he tried to find out why. Potash diesbatch was first used in the formulation of diple oil. So it is contaminated with the blood of animals. When mixed with green vitriol (sulphate of iron), this blood caused a reaction, and there was a blue that had never been seen on earth. One can imagine Dippel, a pale student of an unknown art, kneeling beside his collection, it is impossible to imagine that this, rather than his alchemy, was his greatest legacy. He named the newborn color Berlin Blue.
Guide to Prussian Military Uniforms from 1746 to 1756, undated. From the Hendrik Jacobs Vinkhuizen Collection of Military Costume Illustrations. Courtesy of the New York Public Library.
At that time, the blue color was very difficult to make and work with: azurite turned green when mixed with water; smalt and wood usually withered; Undyed indigo; And ultramarine can only be made from lapis lazuli mined in the mountains of Badakhshan and is more valuable than gold. But Dippel's manga had a tenacity, dynamism and creative simplicity that surpassed them all. Unlike its creator, it was immediately accepted by the world.
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The first dyeing of the uniform of the Prussian army, from which it received its more common name, was well suited to the mixing of blood and iron. As the army grew under Frederick the Great, Prussian blue became a symbol of Teutonic aggression, even after the army's intervention at the Battle of Waterloo, calling someone "my Prussian blue" became a word of praise in England.
At the same time, the molecular structure of the pigment (which was not fully explained until 1977) allowed it to adapt to different environments. Prussian blue became an inseparable basis of Victorian innovation, the blue of plans and colors in early photographs known as cyanotypes. Artists came to use it. Japanese printers rejected their beloved indigo because of this, but French printers used it to good effect.
Works (only Renoir abstained, declaring that he was "scared" of his colors). Prussian blue soon found its way into all areas of society, becoming a pigment in printing ink, typewriter ink, and cosmetics.
But the success of Prussian Blue is not limited to the visual and external world. It slowly started to enter us, found its way into our body and showed far more success than Dipple oil. It has become the panacea for heavy metal poisoning and remains the pathologist's most important tool in diagnosing lead poisoning. It entered the astral world, and appeared as a natural magnet based on molecules.
Hussars In Prussian Military Uniform, 1789 Stock Photo
There was a single setback in its continued growth when, in 1958, Crayola changed the name of its "Prussian Blue" crayon to "Midnight Blue" after complaints from school teachers explaining the cause of the Thirty Years' War His efforts with student colors. numbers are severely restricted. Otherwise the color spread was outstanding. It has also taken on the role - like Dippel himself - of being a moderator of the truth. Its appearance in paintings made before 1704 is one of the main ways to identify forgeries. In the same way, its absence in the gas chambers of Auschwitz has been used as a conclusion by Holocaust deniers who say that it should have appeared there as a result of the interaction between cyanide, something which is found in Zyklon-B and Prussian Blue, and steel in the walls of the room. A group of young neo-fascists recently called themselves Rang.
But even though Prussian Blue has leapt through time and space, its popularity is assured by the constant announcement of new features, Johann Konrad Dippel remains trapped in his time and his defiant nature. . In 1707, after years of successful chemical experiments, he left Berlin and became a medical student in Leyden. For unknown reasons, he was imprisoned for seven years on the Danish island of Bornholm, where he served time in prison and convinced himself that the ancient Egyptians lived on the same land. The famous European king's weakness for chemists freed him after seven years, and he became a physician at the Swedish court in Stockholm, but his controversial nature again made this role difficult. at the end of time. His final years were spent as a guest at Castle Wittgenstein where he engaged in further theological disputes and alchemical research. He predicted in 1733 that he would be 135 years old. Interestingly, he was found dead in his bed the following spring.
No one was kinder to Dippel than his years. A recent attempt to identify the alchemist born in Castle Frankenstein, who worked with animal organs, and sought to defy the laws of nature, was inspired by Mary Shelley.
Experts think it's unlikely. But one thing is certain: Dippel's most successful creation - Deeper Blue Than All Gods - could not have been made by himself.
Nagina International Ww1 German Pickelhaube Helmet Prussian Imperial Officers With Brass Spike Tip
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